The Sentinel: 3x14 - Mirror Image

date: Wed, 19 Mar 2003 22:13:09 +1100 x-mimeole: Produced By Microsoft MimeOLE V6.00.2600.0000 from: subject: Episode Transcripts -- Episode #48 -- Mirror Image content-type: multipart/related; boundary="----=_NextPart_000_0000_01C2EE64.B97B48C0"; type="text/html" mime-version: 1.0 This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C2EE64.B97B48C0 content-type: text/html; charset="Windows-1252" content-transfer-encoding: quoted-printable content-location: http://www.kelesa.net/trans-ep48.htm The Sentinel: 3x14 - Mirror Image

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Mirror Image

Teleplay by: David H. Balkan
Story by: Rich Tabach
Directed by:= Tony=20 Westman
Transcribed by: Becky

~~~~~~~~~~ Disclaimer ~~~~~~~~~~

I do not own the characters in this story, nor do I own any rights to= the=20 television show The Sentinel. They were created by Danny Bilson a= nd=20 Paul DeMeo and belong to them, Pet Fly Productions, UPN, and Paramount. = This=20 is not a novelization or a script. It is simply a transcript of the epis= ode.=20 It also includes descriptions of the settings, action scenes and camera= =20 movements where needed. If you notice anything that is transcribed=20 incorrectly, please let me know and I will post an update.

Lead cast: Richard Burgi (James= =20 Ellison), Garett Mag= gart=20 (Blair Sandburg), Br= uce A.=20 Young (Simon Banks).

Guest cast (in order of credits):= Lisa Akey (Cassie Welles= ), Colin Cunningham<= /A> (Dr.=20 Burke), Brion James= (Warren=20 Chapel), Anthony Ulc=20 (Harris), Jen Jasey<= /A>=20 (Alex), Andre Benjam= in=20 (Reggie), Ben Cardinal= =20 (Dan Wolf).

Uncredited: Ben Derrick (Joseph Be= llini),=20 Mike Dopud (O'Doyle)= .

Summary: When the unique mar= ks of a=20 known serial killer are left behind at a murder scene, it is up to Ellis= on and=20 Sandburg to find out how they got there -- since the suspect is incarcer= ated=20 in a maximum security mental hospital. (Source: UPN Pres= s=20 Release.)

This episode was originally broadcast on February 11, 1998.
Last=20 updated: 7/8/01

~~~~~~~~~~~~~~~~~~~~~~~~~~

~Opening theme plays as credits roll. Opening monologue by Blair Sand= burg:=20 "In the jungles of Peru the fight for survival heightened his senses. No= w,=20 Detective James Ellison is a sentinel in the fight for justice. Seeing b= efore=20 others see. Sensing what others can't. An ever-vigilant watchman in the = war=20 against crime."~

~~~~~~~~~~ Act I ~~~~~~~~~~

~Night. A man (O'Doyle) walks out of a building and heads toward a pa= rking=20 lot. No one else around. He stops at his car and pulls his keys out to o= pen=20 the door. Someone hits him from behind and he turns around to see a pers= on=20 standing behind him in black, including a ski mask.~

O'Doyle: Listen, pal, you're making one hell of a mistake.

Person hits him again, knocking him to the ground.

O'Doyle: Hey, wait a minute!

Person hits him again, hitting his throat. O'Doyle starts to choke an= d=20 gasp. Person pulls out a gun, affixes a silencer to it, then shoots O'Do= yle=20 once through the hear. He falls to the ground. Person walks off.

~Cut to next day. Murder scene. Jim, Blair, and Cassie walk over to j= oin=20 Wolfe next to the body.~

Cassie: We'll try to get some prints, but I'm not very optimistic.
Jim: An ID on him?

Cassie: It's Ben O'Doyle, the union guy.

Wolfe: Whoever did it knew what he was doing -- a couple punches to t= ake=20 him out of action, then a bullet in the heart.

Jim: Any ideas on the gun?

Wolfe: Judging from the exit wound, it could be a .357 or a .45. Whoe= ver=20 did this didn't need the gun. Look at the bruising on the throat. My gue= ss is=20 the windpipe is crushed. He would have asphyxiated.

Cassie: (staring off into the distance) Maybe the killer was putting = the=20 victim out of his misery.

Jim: Well, whatever the reason, there's no loss of motives. O'Doyle w= as=20 accused of whacking a union rival. You guys do the math.

Blair: Yeah. I remember that case. He got off.

Cassie has a flashback memory of being shot and seeing a large gun wi= th a=20 silencer on it.

Cassie: People don't always agree with verdicts. Uh... I got to go. I= got=20 some work to do. (walks off)

~Cut to Cassie and a man (Burke) walking through a gated doorway in a= =20 hallway in a psychiatric institution -- Conover. A buzzer sounds as the = gate=20 opens.~

Cassie: Thank you so much for seeing me on short notice, Dr. Burke. I= =20 realize you're probably quite busy.

They walk down a long hallway. A guard follows them down.

Burke: Well, when I get a call from the local police department sayin= g it's=20 urgent, I tend to make time. Now we keep him segregated except when he's= in=20 group therapy, but that's a couple times a week. Otherwise, he's pretty = much=20 by himself.

Cassie: What about visitors?

Burke: No visitors. He doesn't have phone privileges either and all o= f his=20 mail is screened.

They reach another gated doorway. The guard (Harris) knocks on the ce= ll=20 wall and calls inside.

Harris: You got company, Warren. Try to act like a gentleman.

They go through the next gated door and into the next room.

Burke: Harris will be watching you on a closed-circuit monitor.

Harris: If you need anything, just call.

Cassie: Thank you.

Burke: Good luck.

Harris and Burke go back through gated doorway. Cassie walks over to = look=20 through window that separates the cell from the outside. Warren Chapel i= s=20 inside. He looks up as she comes into view.

Chapel: How's life in the bay area, Cassie? Still hanging out in the = clubs=20 off the square?

Cassie: I don't live in San Francisco anymore. I work in Cascade now.=

Chapel: Life is full of little ironies, isn't it? You're here. So am = I.=20 How's the shoulder? Still bother you on rainy days?

Cassie: Someone is killing again. They're using your signature.

Chapel: (stands) Who was killed?

Cassie: He was a union boss tried for murder.

Chapel: And the courts let him off. Was he killed with a .45-caliber= =20 bullet?

Cassie: Yes.

Chapel: What about the gun? Was it chrome-plated?

Cassie: I don't know. I don't have it yet.

Chapel: Pity. Well, it certainly sounds like me. How do you think I'm= doing=20 it?

Cassie: I told you it was someone else, someone who knows about you. =

Chapel: (standing right on the other side of the glass) Possible, but= not=20 likely. This kind of a thing can't be duplicated. It's too intimate...li= ke DNA=20 -- one of a kind.

Cassie: So how are you doing it, Warren, huh? Are you sneaking out in= the=20 middle of the night?

Chapel: The man who was killed, his name was O'Doyle, wasn't it?

Cassie: You could have read that in the newspaper.

Chapel: He likes expensive shoes -- tasseled loafers. They're made fo= r him=20 in Milan. The shoemaker's name is sewn in the instep. Did I read that, t= oo?=20 Hmm? Well, you better check and see. In the meantime...worry about tonig= ht,=20 say, 9:00.

~Cut to Major Crime. Still day. Jim's desk. Jim is on the phone. Blai= r is=20 sitting next to him.~

Jim: Well, when she gets back would you have her return my call as so= on as=20 possible? I need that ballistics report. (hangs up) She said she had som= e=20 personal business to attend to. Nobody knows where she is.

Cassie comes into bullpen and goes over to Jim's desk.

Cassie: I think I know who killed Ben O'Doyle.

~Cut to Simon's office. Still day. Raining outside. Jim, Blair, Simon= , and=20 Cassie.~

Cassie: His name is Warren Chapel. He killed three people in San Fran= cisco.=20 I, uh, I worked on the case. The newspapers would call him "the avenging= =20 angel" because all of his victims were men who had committed crimes and = had=20 walked on a technicality. Chapel would first inflict physical punishment= and=20 then take them out of their misery with a single gunshot wound to the he= art --=20 a .45 from a chrome-plated automatic. I just found out that he's been=20 transferred to Conover as of three months ago because of overcrowding. N= ow,=20 look, he knows things he shouldn't. He knew O'Doyle's name. I didn't tel= l him=20 who the victim was.

Simon: He could have found that out. Cassie. He could have read it in= the=20 papers, saw it on TV.

Cassie: No, he told me that O'Doyle liked Italian loafers and that th= e=20 shoemaker was from Milan and that the shoemaker's name was stitched into= the=20 instep of the shoe. I went to evidence. I checked it out. It's just as h= e said=20 it would be.

Simon: Yeah, he could have found that out, too. I mean, come on, Cass= ie. He=20 is playing with you. Conover is a maximum-security institution. There is= no=20 way that he could get out or even contact anyone.

Blair: Simon, what if he's not playing? What if he somehow is involve= d?=20

Jim: Captain, I don't think we can leave this to chance. Now, all of= =20 Chapel's victims were high-profile. We spent the last two hours going ov= er=20 trials where the accused walked. One seems to stand out. (gets a newspap= er=20 from Blair and shows it to Simon) Thanks very much.

Simon: Joseph Bellini?

Jim: Yeah, this prince, as you can see was accused of white slavery a= nd=20 murder, but he walked on a technicality.

Simon: All right, tell you what: Why don't you put a surveillance tea= m on=20 him? But you wrap it up at midnight. I still think we're chasing our tai= ls=20 here.

Jim: We might be, Captain, but thank you. (to Cassie) Thank you very = much.=20

Cassie: You're welcome.

Jim and Blair leave. Cassie pauses a moment. Simon looks at her, then= she=20 leaves.

~Cut to Jim and Blair in the truck. Night. Outside of Bellini's house= . A=20 patrol car goes by.~

Blair: I hate stakeouts.

Jim: You're not having a good time? Come on. Just relax. Think of it = as a=20 meditation.

Inside view of house shows Bellini walking around in a robe, then som= eone=20 coming over a high wood fence into the property.

Blair: (chuckles) How can I think of it as a meditation when my stoma= ch's=20 all in knots? I think of it as anticipation. Is something going to happe= n? Is=20 something not going to happen?

A patrol car goes down the street, passing a blue van. After it goes = by,=20 Cassie sits up in the van. She has a police-band walkie.

Blair: You know, if Chapel does show up, he's better than Houdini. Si= mon's=20 right -- you don't walk out of Conover.

Jim: How do you know that?

Blair: Well, I've got some history there.

Jim: (chuckles) I m sure you do.

Blair: (grins) Well, it's not what you think.

Jim's cellphone rings and he answers it.

Jim: Ellison.

Simon: (in his office) Yeah, Jim. It's Simon. I just had a visit from= =20 Bellini's lawyer. We've been served with a cease and desist order signed= by=20 Judge Weaver. Surveillance is over. He feels our protection is an infrin= gement=20 upon his client's privacy. Evidently, his client has a problem with the= =20 police. Bottom line is if we don't leave we're in violation of a court o= rder.=20

Inside view of house shows someone in black breaking in.

Jim: (looking at his watch) Captain, it's almost 9:00. Can you buy us= some=20 time somehow?

Inside view of house shows the person in black watching Bellini throu= gh=20 some inner windows into the study.

Simon: I've used up all my chips. Now pull the damned plug! (hangs up= )

Blair: What's going on?

Jim: Simon pulled the plug -- court order. (into walkie) This is Dete= ctive=20 Ellison. The stakeout has been officially terminated. All units are requ= ested=20 to disperse. Thank you. Good night.

Cassie is listening to walkie. She looks at her watch -- it's 9 p.m. =

Quick shot of the end of a barrel of a gun.

Man: (on radio) This is unit four. We copy. Head back in.

Patrol car goes by and Cassie ducks out of sight.

Jim starts up the truck and prepares to pull away from curb.

Blair: I got a bad feeling about this.

Jim: Yeah, well, tell your rabbi.

They pull away.

Cassie gets out of her van and heads toward the house.

Inside view of the house shows Bellini sitting down, his back to the = door.=20 The door opens and the person in black enters.

Jim and Blair stop the truck next to Cassie's van.

Blair: Hey, what's she doing here?

Inside view of house shows Bellini turning just as the other person c= omes=20 up behind him. He stands.

Bellini: Hey!

Person hits him, knocking him over.

Outside, Jim is out of the truck. He hears the struggle from inside a= s=20 Bellini is knocked around by the intruder. Blair is still inside the tru= ck,=20 but gets out and takes after Jim as Jim runs up to house. Jim pauses out= side=20 and then hears the gunshot as the intruder shoots Bellini once.

Jim enters the study a bit later, gun out. Bellini is dead. No one el= se is=20 there. Blair comes in a few moments after him, followed a bit after that= by=20 Cassie. Jim checks Bellini just to be sure, but he's gone. The clock on = the=20 wall dongs 9 p.m.

~~~~~~~~~~ Act II ~~~~~~~~~~

~Conover. Next day. Cassie talking to Chapel through the window.~

Chapel: Back so soon, Cassie? You'll spoil me.

Cassie: There was another killing last night. You still going to tell= me=20 you did it?

Chapel: Well, let's see. By now you've checked on O'Doyle's loafers. = Didn't=20 you just love the tassels? So...you tell me. (walks over to the window) =

A view of Jim and Blair watching whole proceeding through a monitor. =

Cassie: Will there be more?

Chapel: Oh, yes, Cassie. There will be.

Cassie: Who?

Chapel: That would be too easy. Let's just say it will be those who h= ave=20 managed to elude justice. So, I have my work cut out for me, don't I?
Cassie: You know what I think? I think you enjoy this too much. I thi= nk=20 you'll tell me because you'll miss these little conversations of ours. W= hen=20 you're ready to talk, have someone come and get me. (starts to walk away= )

Chapel: Oh, uh, by the way, Cassie...I still hold you responsible for= my=20 incarceration. Someday we'll have to reconcile that. Hmm?

Cassie walks away. She leans against the outside wall for a moment, a= gain=20 seeing a brief flashback of the gun firing at her.

~Cut to Cassie entering the monitoring room where Jim, Blair, and Bur= ke=20 are.~

Cassie: Sorry, you guys. I thought I'd get him to say more.

Jim tunes into her and hears her beginning to wheeze.

Jim: Are you all right?

Cassie: Yeah. Yeah, fine, just, um...just my asthma, that's all.

Jim: I mean, I wasn't talking about that. He threatened you.

Cassie: Oh...that's just his way of playing. You know, he thinks it'l= l keep=20 me off balance.

Jim: (to Burke) Any chance he's getting off the grounds somehow?

Burke: No. It's impossible. Security's way too tight. Even if he did = get=20 out, why would he come back?

Blair: What about on the outside? He could be pulling strings in here= .

Burke: No, no. I don't know how he'd be doing it.

Jim: Well, he's doing something. That's for sure, and he's going to=20 continue to do it until we stop him. I need to get somebody close to him= .

Blair: I could do it.

~Cut to Major Crimes. Simon's office. Still day. Simon, Jim, Blair, a= nd=20 Cassie.~

Simon: No way. Absolutely not.

Blair: Come on, Simon, why do you always say that? Why is that always= your=20 first reaction?

Simon: Three reasons, Sandburg: One, you're not a cop. Two, you're no= t a=20 cop; Three, you're not a cop.

Blair: Jim, come on, help me out here, man. Talk to him -- one cop to= =20 another cop.

Jim: Simon, I've given it a lot of consideration. I just think you sh= ould=20 hear him out, please.

Simon: All right, Sandburg, you got one shot. You better make it=20 convincing.

Blair: Okay. Um, when I was an undergraduate, I did a paper on the so= cial=20 structure in institutions to see if the same sort of pecking orders that= exist=20 in our society find their way into the microcosmic societies in prisons = and=20 mental institutions. Anyway, I spent a semester working nights at Conove= r. I=20 know the facility. I'm familiar with the case studies and the therapeuti= c=20 practices.

Simon: So what are you saying, you want to go in as a staff worker? <= /P>
Blair: No, as a patient. It's the only way I'm gonna get close to Cha= pel.=20 He won't let his guard down unless he thinks I'm mentally ill.

Simon: You being mentally ill is the only part of this that's believa= ble.=20

Jim: Now I'm not crazy about it, but the kid has proved himself to be= =20 pretty damn resourceful. I think it's worth a shot.

Simon: Jim, there has got to be another cop somewhere in this damn ci= ty=20 with enough experience to pull this off.

Cassie: It can't be a cop. Chapel will know; it's instinctive. He wil= l=20 smell a cop, and he will kill him.

Blair: I'll be fine, all right? My door's going to be unlocked. I'm g= onna=20 have access the whole place. There's video surveillance cameras all over= . I'm=20 gonna be fine. I can do it.

~Cut to Conover. Chapel's cell. Chapel is watching the video surveill= ance=20 above him. There is a red light blinking as it goes -- it stops. Harris = (the=20 guard from earlier) comes into the hallway and goes up to gated doorway.=

Chapel: You're late.

Harris: I had to wait till the shift changed. You know, I can't contr= ol=20 these things. (opens cell door)

Chapel: Seems we're all dependent on things we can't control.

~Cut to forensics laboratory. Cassie is looking into a microscope. Th= e door=20 opens and she gasps, looking up. For a moment, she sees someone in black= with=20 a gun. Then she realizes it's Jim, walking into the lab and over to her.= ~

Cassie: Scare a girl, why don't you?

Jim: Sorry... But I wanted to talk to you about something. I put a ca= ll=20 into the San Francisco police department to do some, uh, background chec= k on=20 our friend Chapel and I realized that he tried to kill you. I'm wonderin= g why=20 you didn't tell me.

Cassie: What's the point? Wouldn't make any difference.

Jim: Sandburg is risking his life here. I need to know these things. =

Cassie: Okay. You're right. You're right. What had happened is, uh, t= hat I=20 was doing my usual impulsive investigation. And I, uh, I had figured out= where=20 Chapel lived. I decided to go over and make the arrest, show everybody w= hat a=20 great cop I could be. I, uh...was walking in the hallway of his building= ...and=20 he came out of his apartment and he looked right at me, and me made me. = (sees=20 flashback memory of being shot again, this time with Chapel's face and h= is=20 gun) I don't know how he did it, but he did. I saw the reflection off of= his=20 gun, and I moved. He got me in the shoulder.

Jim: Why didn't he finish the job?

Cassie: Oh, well, um..I think that he probably would have, but the=20 arresting team had figured out where he was living, too, and they got th= ere=20 right behind me. Chapel finally ran out of ammo, and he, um...he surrend= ered.=20

Jim: Is there more?

Long pause.

Cassie: Yeah. In his own sort of psychotic way, Chapel, uh...he blame= d me=20 for the arrest. Scared the hell out of me. Oh...after I got out of the=20 hospital, I decided to take a permanent leave of absence. You know, I th= ought=20 that I would go someplace new start again, get him out of my head. Funny= how=20 life has its little ironies, huh? Living my nightmares all over again. Y= ou=20 know, maybe...maybe it's a good idea that I'm not getting so involved, y= ou=20 know? Somebody else might get hurt.

Jim: Well, you want to know what I think?

Cassie: Hmm?

Jim: We're pretty damn lucky to have you. (walks off)

Cassie: Thanks.

~Cut to Harris and Chapel in a storage area of Conover.~

Harris: What the hell do you do down here?

Chapel: That's really none of your business now, is it?

Harris: I'm starting to think we should change our arrangement.

Chapel: I think it's a little late for that. You'd have a hard time=20 explaining all that money that's been transferred to your personal accou= nt.=20 Run along, Harris.

Harris leaves. Chapel lifts a ceiling panel and pulls out some things= . He=20 hooks some wires up to a box, then dials up on a phone.

Chapel: (into phone) You were wonderful. Now tell me...how did it fee= l? I=20 want every last detail.

~~~~~~~~~~ Act III ~~~~~~~~~~

~Conover. Day. Group therapy room. Blair (as a patient) comes in, joi= ning a=20 small circle of men. Therapist is talking.~

Therapist: We have a new member of our group here today. Everybody, t= his is=20 Blair Sandburg. Why don't you have a seat there, Blair, next to Warren? =

Blair walks over to empty chair next to Chapel.

Blair: Uh...Is it clean? The chair. I have to know if it's clean beca= use,=20 uh...'cause sometimes, uh...staphylococcus bacteria lives in upholstery = and I=20 have to know if it's clean or not.

Therapist: I-I think the chair's okay. No one's ever gotten infected.=

Blair: Okay. Uh, I'm just going to put this down just in case. (puts = a=20 handkerchief over seat of chair) It's nothing personal, of course. (sits= down)=20

Therapist: Great. Okay. Uh, we were just discussing anger. Perhaps yo= u'd=20 like to contribute?

Blair: Mm-hmm. Okay. (chuckles) Um... well...anger has nothing to do = with=20 it. Yeah, um...uh, mad has nothing to do with it. Nothing.

One of the other inmates (Reggie) a few seats down leans forward and = looks=20 at Blair.

Reggie: Mad had nothing to do with what?

Blair: Getting what I'm entitled to.

Therapist: Perhaps you could explain.

Blair: Um, you see, uh...to enjoy the good life, to, uh, enjoy the ma= terial=20 wealth that was promised me.

Therapist: Who promised you, Blair?

Blair: Uh... well, that'd be my higher power, you see. (chuckles) Yea= h. You=20 see, I have a covenant with her and she tells me what I can take, when I= can=20 take it, and from whom I can take it.

Reggie: Oh...yeah. Uh, that's right. Your higher power. He's got a hi= gher=20 power. (getting upset)

Therapist: Reggie...

Reggie: That only talks to him! (stands up)

Therapist: Reggie, calm down...

Reggie: Doesn't talk to anybody else! Like he's something special. Li= ke he=20 got some personal membership to the higher power club!

Therapist: (goes over to Reggie) Reggie! Enough.

Reggie: I was just...I was just making a point. I was... just making = a=20 point. (sits back down)

Therapist: We, uh, appreciate your insight. Um... why don't we let so= meone=20 else comment? (sits back down) Warren. What do you think about all this?=

Chapel: I don't know. If the man says he has a higher power that tell= s him=20 things to do...I guess it's true. (looks at Blair) Why would he lie?

Blair looks away, running his fingers over his lips.

~Cut to Major Crimes. Still day. Jim and Simon walk into bullpen.~
Jim: There were 17 staff members at Conover when Chapel first arrived= .=20 Fourteen are still there; the other three have moved on.

Simon: It will take a while to go through them.

Jim: How ever long it takes, we got to go through the process. Now if= =20 Chapel isn't leaving the hospital, which is highly unlikely, then he's g= ot a=20 relationship with somebody on the outside, right?

Simon: You could use some help on this one. Why don't you work with C= assie?=20

Jim: Uh, sir, back in San Francisco, Chapel almost killed her. Now I = think=20 that's pushed her pretty close to the edge. I don't think we should push= her=20 any closer.

Simon: When did you become her mother? Let her decide. (goes into his= =20 office)

Jim just nods.

~Cut to outside. Another murder scene. Jim is already there as corone= r is=20 bagging the body. Cassie comes onto scene from behind~

Cassie: (to an officer) Excuse me. (joins Jim) Same as the other guys= ,=20 right? Jim, look, you got to pull Blair out of Conover, okay?

Jim: Why? What do you mean?

Cassie: Something is going to happen. Okay? Just -- just trust me.
Jim: All right. Well, what about you? I-I'm...I think I cod use you. =

Cassie: I, uh... no, I can't.

Jim: Why not?

Cassie: You remember that nightmare I was telling you about that I wa= s=20 having? Well, it's back, and it's real and every time I turn around I fe= el=20 like Chapel just chasing behind me.

Jim: But you don't see that's all in your head? You don't see...

Cassie: No, it's not!

Jim: Cassie, we -- we all have our stuff that we have to deal with, b= ut if=20 you don't control it and face it, it controls you.

Cassie: Look, Jim, I would really like to help you, okay? I can't. Ok= ay?=20 I'm sorry. (walks off)

~Cut to a house. Night. A woman inside is talking on the phone. She i= s=20 lifting weights as she talks.~

Woman: It was wonderful -- even better than before. Every time I do i= t, I=20 feel more complete. And he was happy for me to end it. Not just to stop = the=20 pain but because he knew he had to pay the price. And I was happy to do = it for=20 him. And when I did it...I felt so close to you.

~Cut to Chapel on his phone in the storage area.~

Woman: We have so many more to do.

~Cut to Blair looking out of his room through a large peephole. When = he=20 doesn't see anyone, he leaves room and heads down the hallway.~

~Cut back to Chapel.~

Woman: (on phone) The only thing I really miss is not having you with= me.=20

Blair is creeping around. He starts to hear Chapel talking and follow= s the=20 voice to get closer. He edges around a shelf and sees Chapel talking on = the=20 telephone.

Chapel: I've had a visitor. Someone from my past. She's working with = the=20 police. Right now they're just guessing but pretty soon they'll put us=20 together. It may be time to move on.

Blair hurries away.

~Cut to Blair yanking a receiver off a payphone in the hallway.~

Blair: Operator, I'd like to make a collect call. It's an emergency. =

Chapel appears and slams his fingers down on the hang-up switch. Blai= r=20 presses himself against the wall and stares up at Chapel; he still has t= he=20 receiver.

Chapel: You think you're so clever, don't you? A little=20 obsessive-compulsive behavior, throw in the ravings of a schizophrenic a= nd=20 we're all supposed to buy into your little charade. Who sent you?

Blair: Nobody sent me.

Chapel: Then who were you calling?

Blair: (looks at the phone, then at Chapel) My higher power. That's h= ow we=20 communicate. She let's me call collect.

Chapel: (holds Blair up by his neck) You're my little friend Cassie's= idea,=20 aren't you? Hmm-mm. Tell me!

Blair hits Chapel on the head with the receiver. Chapel releases him = and=20 Blair runs down the hallway. Chapel lumbers after him. Blair reaches the= =20 stairwell doors and tears up them. Chapel follows him. Blair exits a few= =20 floors up and runs down that hall. Chapel sticks his head of the door as= well.=20 Blair runs around the corner and runs almost smack into Jim. He grabs Ji= m and=20 hauls him back with him to the wall.

Blair: Oh, J... Jim! Oh, my god, he's over here.

Jim: Who? What?

Blair: (peers around the corner) Where'd he go?

They both walk around the corner, heading slowly back to the stairwel= l=20 door.

Jim: What's going on, man?

Blair: Chapel. I'm not imagining this. He was just trying to kill me.= Go=20 look!

Jim: (walks toward stairwell door) All right, all right, I believe yo= u.=20 Take it easy. (opens door)

Blair: Be careful.

Jim: I don't see or hear anything. (walks a bit down the hallway)

Blair: Oh, man, maybe I am going crazy. What are you doing here anywa= y?=20

Jim: We had another murder. The consensus was that you're in over you= r=20 head. (walks back to Blair)

Blair: Well, I'll tell you what, I am down with that majority. Oh, go= d, get=20 me out of here.

Jim: All right, settle down.

Blair: Oh, I know how he's doing it. He's using a special phone and h= e's=20 tapping into the phone lines. Now I overheard part of the conversation. = I=20 don't know who he was talking to, but whomever it was sounded like they = were=20 getting ready to get out of town.

Jim: Which means if we don't unravel this soon, we may not get anothe= r=20 chance. Come on.

They jog down hallway.

~~~~~~~~~~ Act IV ~~~~~~~~~~

~Conover. Chapel's cell. Jim is talking to Chapel through window. Cha= pel is=20 laying down.~

Jim: Hello, Warren.

Chapel: Do we know each other?

Jim: Now how'd you manage to get out of your cell, hmm? My guess is t= hat=20 it's somebody who works here.

Chapel: You must be mistaken. I only go out of my cell for therapy=20 sessions.

Jim: Someone saw you, Warren.

Chapel: Who? That little weasel, Sandburg?

Jim: Who? Name doesn't ring a bell. You're killing people in my city,= and=20 I'm going to stop it. (walks away)

Chapel: Nice talking to you.

~Cut to loft. Day. Jim and Blair. Blair is one the couch, going throu= gh=20 files. Jim comes over to join him.~

Jim: You know, Chief, you're going above and beyond the call on this = one. I=20 mean, somebody else could be doing this work here. (hands Blair a cup of= =20 coffee)

Blair: No. Uh-uh. I want this one. This guy, he tried to kill me, man= . It's=20 just all fun an games, you know? I'm going to find out who he's calling.=

Jim: Well, how's it going?

Blair: It's going pretty slow. I mean, these things are really detail= ed.=20 Take this guy, uh...Jed Harris. "Draft pick, NFL third round. Injured hi= s leg=20 in a car accident. Ruined his career." I mean, even with all this extens= ive=20 information here, I'm still looking for the proverbial needle in a hayst= ack.=20

Jim: Make that two needles: The one Chapel was talking to and the one= who=20 let him out of his cell.

There's a knock on the door. Jim goes over to answer it. It's Cassie.=

Jim: Hi.

Cassie: Hi. I, uh, decided you were right. I've been spending a lot o= f time=20 looking over my shoulder.

Jim: Come on in. Let me take your coat.

Cassie: (comes in) Thanks.

Jim: You want some coffee?

Cassie: Yeah. You got some decaf?

Jim: Black?

Cassie: Cream.

Jim: Black.

Cassie: Black is good. (chuckles) Hey. (goes over to Blair)

Blair: Hey.

Cassie: I, uh, heard what happened last night. Are you all right?

Blair: Oh, yeah, yeah, I'm fine. No big deal. Thanks.

Cassie: Yeah. Okay. (pause) These the, um, personnel files?

Blair; Yep. A whole mess of 'em. They're all checking out, though.
Jim: I have two teams doing interviews -- friends, relatives...nothin= g out=20 of the ordinary yet. Here you go. (hands Cassie a cup of coffee)

Cassie: Thanks. (looking at a file for a woman) You guys I think I kn= ow=20 her. Yeah. Her name wasn't Alex Walsh either.

Jim: Who is she?

Cassie: Okay, Chapel's first victim was a guy by the name of Luther V= an=20 Owen. He was a...he was a petty thief. He had...he had robbed and killed= this=20 gas station owner. He walked on a technicality. Now the gas station owne= r had=20 a sister. She'd just gotten out of the army. God, what was her name?

Jim: It'll come to you. Keep going.

Cassie: Okay, okay, uh, when Chapel was arrested and was put on trial= , she=20 was there every single day. She was absolutely fixed on this guy. God, w= hat=20 was her name? Janine Carpenter. That's it.

~Cut to Major Crimes. Simon and Jim walking down hallway.~

Jim: Janine Carpenter was discharged from the army because of a psych= ologic=20 imbalance.

Simon: What was her specialty?

Jim: Communications. The army taught her how to shoot a gun, fight wi= th her=20 hands, and tap into phone lines.

Simon: "Be all that you can be." All right, let's bring her in.

Jim: Very good, sir.

~Cut to Conover. A guard is bringing Chapel down the hallway. Harris = stops=20 them.~

Harris: There's a psychiatric panel here to evaluate Chapel. I'm supp= osed=20 to take him to the interview room.

Guard nods and hands Chapel off to Harris, then leaves. They walk dow= n the=20 hall and around a corner. Harris looks around and doesn't see anyone.
Harris: Now! (shoves Chapel into a corner against the wall) I just sp= ent an=20 hour being grilled by Burke. They know you're using a phone. He wants to= know=20 who let you out.

Chapel: (shoves Harris away into another wall) Don't lose your head.= =20 Everyone's being questioned.

Harris: Yeah, but I did it. You didn't tell me you were on some kind = of=20 killing spree. I'm an accessory to murder.

Chapel: There is a way out. I've been thinking about it for a while. = This=20 just pushes the timetable. This facility is only as good as its security= =20 system. They're going to put me in deep lockdown. It's only a matter of = time=20 until they find out everything. Help me now, and we solve both our probl= ems.=20

Harris: Yeah, okay.

~Cut to Jim and Blair in the truck pulling up outside Carpenter's hou= se.=20 Day. Rainy. Other police cars and SWAT teams are pulling in as well.

Jim: This should be by the numbers, but just in case, keep your head = down.=20 (gets out of truck)

Blair: Thanks for the tip.

Officers set up outside the house, getting out their guns. Simon gets= out=20 of his car. Cassie is with him in his car and remains inside.

Simon: (into walkie) All right, gentlemen, just like we talked about.= Let's=20 go!

A cellphone rings.

Simon: That your phone?

Cassie: Nope. It's yours.

Jim: All right, let's move out. Go! Go!

Police move in, Jim leading the charge.

Simon: (into phone) Captain Banks here.

Burke: (at Conover) Uh, this is...this is, uh, Dr. Burke. I'm trying = to=20 locate Detective Ellison, please.

Simon: Detective Ellison is a little busy right now. Can I take a mes= sage?=20

Burke: Captain, Warren Chapel has escaped from our hospital. Now if h= e and=20 Alex Walsh are as psychologically fused as I think they are, he may try = to=20 join her.

One of the SWAT officers trips a land mind. Things start to blow.=20 Explosions go off everywhere. Officers fly into the air.

Jim: Get down! Get down! Go back now! Fall back! Get back!

A green car tears out of the garage. Jim knocks a SWAT guy out of the= way,=20 then fires off a few shots at the car as it speeds down the road. A gun = comes=20 out of the car window and fires at them as it goes by. It's the woman fi= ring.=20 SWAT teams return fire. Jim manages to get a shot into the gas tank area= . The=20 car blows up, spinning into the air a few times before landing.

Simon: We have officers down! Get in there! Get our guys out of there= !

Both Cassie and Blair get out of their respective vehicles. Jim walks= =20 toward the green car, as does Simon and other officers. Car explodes in = a huge=20 burst and continues to burn. They all watch it burn.

~~~~~~~~~~ Act V ~~~~~~~~~~

~Major Crimes. Simon's office. Evening. Simon and Jim.~

Jim: She had the whole perimeter mined. It's a miracle we didn't lose= more=20 men.

Simon: Amen to that. What about the bodies inside the car?

Jim: Well, Wolfe is trying to get some dental records on them. The he= at and=20 the velocity of the explosion will make a conclusive ID nearly impossibl= e.=20

Simon: Yep. His report said he sent metal fragments over to Cassie's = lab=20 for analysis. The one thing he is sure about, though: There was a man an= d=20 woman inside that car.

Jim: We're going under the assumption that Chapel made it to the hous= e=20 before we did.

Simon: Well, this whole thing probably has Cassie breathing a lot eas= ier.=20

Jim: Hmm. No pun intended, I'm sure, Captain.

Simon chuckles.

Jim: But I doubt she'll feel safe until she knows for sure. She and=20 Sandburg are at the loft now. I'm going to pick them up for a little=20 late-night chow. You want to join us?

Simon: Oh, no. I got to wade through this. I'll take a rain check tho= ugh.=20

Jim: You got it. Check with you later. (starts to leave) Sir, did you= say=20 that Wolfe sent metal fragments over to Cassie's lab?

Simon: Yeah. Why?

Jim: There's something I want to check out. I'll talk to you later.=20 (leaves)

~Cut to loft. Blair and Cassie. Blair is making coffee.~

Blair: Cassie, you going to want some of this?

Cassie: Uh, no, I don't think I want any more, uh, coffee. You're goi= ng to=20 have to peel me off the ceiling.

Blair: Chapel really got to you, didn't he?

Cassie: Well...

Blair: You don't have to worry about it anymore. It's all over.

~Cut to forensics lab. Jim goes inside. He checks out the metal fragm= ents,=20 smelling and feeling them. He pulls one last one and looks at it, seeing= =20 something on it. He smells it as well. He picks up the phone and calls D= r.=20 Burke at Conover.~

Burke: Dr. Burke.

Jim: Dr. Burke. This is Jim Ellison.

Burke: I was just heading out the door here.

Jim: I need to know something. Did Warren Chapel have any major surge= ry=20 where a bone would've been replaced by a titanium rod?

Burke: No.

Jim: You sure about that?

Burke: I'm positive. He had a complete physical examination when he g= ot=20 here. There were no surgical scars.

Jim: There was a guard named Harris who was in a car accident. What a= bout=20 him?

Burke: Actually, as I remember, he had a hip replacement. It's intere= sting=20 you should ask about him.

Jim: Why is that?

Burke: Well, he never showed up for the night shift. Nobody seems to = know=20 where he is.

Jim: Thanks. (hangs up)

~Cut to outside the loft. Night. Someone is running along the ground.= ~

~Cut to inside loft.~

Cassie: Shouldn't, uh...shouldn't Jim be here by now?

Blair: Yeah. Well, I'll give him a call. (picks up phone and dials) I= know=20 that he wanted to go talk to Simon.

~Cut to outside. Someone cuts phone wires in box.~

~Cut to inside. Phone isn't working. Blair taps at it.~

Cassie: What?

Blair: Uh, phone's dead.

Lights go off.

Cassie: Blair...

Blair: Just relax. It's probably just a fuse.

Lights go back on.

Blair: See that?

Cassie: Who reset the breaker? Blair, you got to cut the power to dis= arm=20 the security system.

Blair: Get in the back. Quick.

They head toward Blair's room. Someone comes out dressed in black and= with=20 a gun.

Chapel: Hello, Cassie. (pulls off the ski mask)

~Cut to Jim driving down road in truck. He is talking into the police= =20 radio.~

Jim: The operator said the phone was out of order.

Dispatch: We're waiting for the utility company.

Jim: I don't have time to wait; now get me some backup. I'm almost th= ere.=20

Dispatch: All right. All units to 646 Marina...

~Cut to loft. Blair and Cassie are both tied up in chairs. Chapel tal= ks=20 right in Cassie's ear, resting the gun along her other shoulder.~

Chapel: You're getting to be a real nuisance, Cassie. You killed some= one I=20 cared about. She was an extension of me...and you tore her away.

Blair: Your friend killed herself.

Chapel: I don't think I was talking to you! I was right about you, wa= sn't=20 I? (pokes Blair with the gun) You are Cassie's little friend.

Blair: Yeah, well, you remember my friend, don't you? He's coming her= e.=20

Chapel: That's what I'm counting on. (turns back to Cassie and sniffs= along=20 her shoulder)

~Cut to outside. Jim pulls up in his truck. He looks up toward the lo= ft,=20 then gets out of truck. He listens in and hears Cassie's voice.~

Cassie: How'd you know I'd be here?

Jim pulls the truck closer to the building, under the fire escape.
~Cut to inside.~

Chapel: Come on. That was easy. All I had to do was follow you.

~Cut to outside. Jim climbs on top of the truck, then up to fire esca= pe=20 ladder, heading toward the roof.~

~Cut to inside.~

Blair: The other body in the car? Who was it?

Chapel: Uh...a not very bright guard named Harris. I convinced him th= at his=20 future would be best served by disappearing. He was at the house to get= =20 Janine, but you got there too quickly. Timing is everything, isn't it? Y= eah.=20

In the upstairs bedroom, Jim (from the outside) opens the window and = goes=20 inside.

Cassie: You love the game, don't you? Huh? It's become more important= to=20 you than anything else.

Chapel: Are you sure?

Cassie: Well, if it wasn't, you'd be long gone by now. Why don't the = two of=20 us just take off, huh? Just me and you. You don't need Sandburg. What's = the=20 point of killing him? It's me you want.

Jim walks around above.

Chapel: That would be too simple. This is the best part of the game. = (holds=20 gun in front of Cassie) I'm going to work on your friends...and let you = live=20 with the memories knowing that one day...I'll visit you again. Hmm? (wal= ks=20 away from them) So, uh...where's our hero?

Jim goes over to the edge of the upper bedroom and looks over the rai= ling=20 to see Blair and Cassie. Blair glances upwards and sees him. Jim looks o= ver to=20 the kitchen counter and sees the water pot, seeing Chapel's reflection i= n it.=20

Chapel turns to look at Blair and Cassie. He sees Blair looking up. H= e=20 looks up as well and immediately starts firing into the floor of the lof= t's=20 upper bedroom. Jim sees Chapel firing in the reflection and rolls out of= the=20 way of the bullets as they strike the bed. As he rolls to the side, his = hand=20 hits the railing and he loses his gun which goes down the stairs. Blair = and=20 Cassie can only watch and wince. Chapel pauses to reload.

Above, Jim moves back from the edge of the upper loft. Feathers are f= lying=20 everywhere from the bed comforter. Chapel starts firing again. Jim holds= =20 himself in the corner between a dresser and the wall. Chapel pauses to r= eload=20 again.

Chapel goes up the stairs. Jim shoves the dresser towards Chapel. Cha= pel=20 falls backwards, rolling down the stairs, never releasing his gun. Jim r= ushes=20 down the stairs and tackles him, knocking his gun away. They struggle, b= anging=20 around the loft. Chapel gets a few good punches in and knocks Jim away f= rom=20 him. Chapel sees his gun and grabs it, standing and laughing, holding it= on=20 Jim who also stands.

Chapel: Ha! I think it's about time I brought this little drama to an= end.=20

From behind him, Cassie tilts her chair back just enough to hit Chape= l,=20 knocking him off balance. Jim attacks, taking him out with one punch and= =20 grabbing the gun. Then he starts to untie Cassie and Blair.

Jim: Are you all right?

Cassie: Yeah. Yeah, I'm all right. Finally. Ow. Gosh.

Jim: You okay, Chief?

Blair: Yeah.

~Cut to outside loft a bit later. Officers put Chapel into a squad ca= r as=20 Blair, Cassie, and Jim watch. Simon comes over to join them as the squad= car=20 drives off.~

Jim: You all right?

Cassie: Uh...I don't know yet.

Simon: I was talking to Dr. Burke over there. He's going to oversee=20 Chapel's transfer to another institution out of state. He won't get out = again,=20 Cassie.

Cassie: That's what they said last time.

Blair: Yeah.

Jim: Well, what do you say we grab a bite to eat, huh?

Blair: I could eat.

Simon: All right, I'm buying. We'll go over to Bobby H's, get that st= eak=20 sandwich.

Jim: See you there. Captain, is the department going to pick up the t= ab for=20 the damage done to the loft?

Simon: You're joking, right? (laughs, then walks back to his car)

Jim: No, sir, I was dead serious.

Jim, Blair, and Cassie head toward Jim's truck.

Cassie: You know, I know a really good designer.

Blair: And I have to admit I took a couple classes as an undergraduat= e.=20

Cassie: So did I.

Jim: Well, good. Why don't you two start up a business? This'll be yo= ur=20 first job.

~ The End ~

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